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Showing posts with label On Writing. Show all posts
Showing posts with label On Writing. Show all posts

Thou Shall Write

11, Jan, 2009. Late at night.


Where is my pen, the tiny stick which engraves the manifestations of a can-be eternal Selfhood on the tablet? Where is it, the canon which reinvents and transforms man from his plightful condition and conditioning, making the later state a history and making new histories out of the former? I cannot live without it. I'm sorry. I cannot live in a depressing shameful limelight in my own eyes, forget about the extrinsic. Even when my mirror doesn't reflect back to me my best composition, I ought to write. 

But wait. Let me sink in the abyss of the world of contemplation, and, by hanging in there, ask myself: What came out of that void which had no inside nor outside? I know! It was you and me, this whole universe, which still is coming in quanta from on high. I know! The river isn't stagnant. It is evolving. I can write. After the realisation, for the sake of advancement and commencement for a never ending journey, then a comes a voice to my mind and orders me, "Thou shall write". 

Thou shall write: To weather the cruelty of imperfect recording machine our brain is; to, using a trite metaphor, 'make the hay while sun shines'; to grasp what that invaluable thing that comes from the void - thought. To make sense and meaning out of that void. To absorb "the thousand natural shocks", to lubricate them. And what is more important than to self-audit.

"Thou shall write," the 'unimaginable source' says, "for life's sake - all in all," - a meaning so wide, boundless and infinite which I fear my words fail to grasp. To write, perhaps, to grasp life itself.

5 Humble Ways of Pre-writing

This post is just an ordinary post. I know that prolific writer's do not really need such ordinary techniques in writing to practice, which I am to mention. But basics are basics. And, since when we emphasize by repeating a word twice, we imply it to be definitive and essential. To get to the point, I now hereby, pronto, pledge to, quantify, exalt.... [I'm sorry, just snoozed in the process!] Following are 5 humble ways I use to prepare scripts for daily orientations:

1.  Develop a writer's journal. Here I record experiences and ideas on a daily basis only to break down the patterns and find new sources from where to take a fresh flight.

2. Another ordinary 'oriental thing' I do in prewriting is freewriting. While being wild, I sit down and let the wild within me do whatever... it... is... to... do! [giggling], and not for more than 5 minutes do I collect the ideas I want to write about.

3. Listing ideas quickly without judging them. Now that's important, since I do not wish to curb my wildness and its manifestations - I let Pakistan's constitution rule!

4. Ask 5 W-How questions: Who, what, where, why, when and how. I hope you understand.

5. Reading and listening with focus. If it is important for effective learning that we learn a thing not only by listening and reading, but by other ways also (speaking out, writing down etc.), so is the case with writing. I cannot just write 24-hour a day. Whatever best I can ever write, no matter how original and unique, it is by the knowledge of the known that I advance towards what's unknown. And, most importantly, it is also advised to listen and read before sitting to write down as reading and writing are said to complement each other. (It's a total mystery to me as to why.)

The Language We Seek!

Following is a text, a comment on YouTube, by some reader who had some catastrophic experiences with standard language as a kid, perhaps it made him or her to sallow a bad medicine at that time. And as a consequence of those psycho-commotions, they provided us some reason to cry for them. The article, which treated the abuses of our dear language, is named "Ten YouTube Comments Translated into Standard English". Here are a few samples for your consideration:

Subject: Slipknot is Emo?

o, gawd...ya dont kno how retarded you ar do you!!??haha...emo...maybe tats wat you ar and tats why yur sayin tat...yur jus tryin to deny it huh!? im surprised you even kno the word 2000!!! haha!!! n00b!!! SLIPKNOT PWNZ and MAGGOT 4 LIFE!!!!!!

What We Think They Meant:

With all due respect, good sir, I must hereby declare your statement to be highly objectionable. In fact, your comment causes me to speculate whetheryou are afflicted with a learning disability so severe that it prevents you from fully comprehending your diminished mental capacity. I further theorize that you could be described to by today's youth as "emo", and by calling out others as such, I have concluded that you are in denial about this "emo" lifestyle, subject to the cultural stigmas and stereotypes associated therewith. I also believe you to be several years my junior and have little memory of the year 2000, which implies a sexual and cultural immaturity on your part. Newcomers to this website are often subject to ridicule and mockery because of their unfamiliarity with the it, an unfamiliarity I find to be intensely amusing. Lastly, I would like to state that I am a fan of the rock band Slipknot. I hereby pledge my support to this band – a band that endearingly refers to its fans as "maggots" --for the rest of my days. The words I have written above are to be conveyed with great enthusiasm and vigor.

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Subject: Miley Cyrus
wel sed. u dont ave 2 answer or owt but i just wna say i totally agree wiv u. every1 is so mean bout her wen she asnt actually dun anyfin 2 hurt YOU! so y dont u just leave her alone if u dont like then dont bother wacthn the videos. duh. peace x

What We Think They Meant:
Even though I do not expect a return of correspondence, I must heartily concur with what you have said. Furthermore, I would like to commend you on both the veracity of your statement and your well-crafted phrasing. Capital effort, indeed. I, too, am thoroughly and continually puzzled by the resentment that some parts of our society (although sometimes it feels like the whole of the world) directs toward Ms. Cyrus, especially considering that she has done nothing personally to impede anyone, at least to the best of my knowledge. If certain people find Ms. Cyrus to be distasteful, then I believe their efforts would be better spent viewing sites they actually find enjoyable, rather than subjecting themselves to content they do not care for. It befuddles me to think that someone would endeavor to waste their time on something that angers him/her so. I would also like to take this opportunity to convey a universal message of peace and love.

Read more here (reconstructions)

I do not intend to relate it to any of my readers. Or, perhaps to everyone, who is accustomed to such habits in the use of language. But, is not the plight of educated masses? These people, as I expect, belong to those societies where literacy rate is supposed to be 100%. 100%. And yet this much insanity....

Wiritng & Experience

1. Writing aptly measures and gives form to the depth and intensity with which one experiences life, not just how much he experiences. Thus it points to the fact that experience alone is not 'life', its the depth and intensity with which you experience it, for only that can provide an understanding of it. 

2. - Answers the questions: Where now? and why?

3. - Makes us conscious of even flashes of memory, they may not be of great value since lacking any noteworthy consequences, but very significant to the memory.

4. - Excellent medium for the transfer of experience(s) - the way it was felt - expressed even if in partly comprehensible way, to others.

5. - As a whole, is just a part of life. Helen Keller, an American writer, was deaf and blind. At the age of 7, she for the first time came to know on one eventful day that 'every thing had a name'! Before which she never knew anything about language.

6. - Everyone finds and seeks his own way of language, the language he wants. He can only learn from others and find others' research useful to him. But imitation is only superficial, excessive and disproportionate. And it simply negates the quality of unique experiences of the individual. Or, to be specific, the language I want and seek, and eventually write is centered on my unique Selfhood.

The Traditional Way

Muslims repeatedly claim that their faith Islam is such a code of life which delivers peace, inner and outward, following the order, to general humanity. But in the present times, when they often lean forward to justify their claims by referring to their glorious past and golden cultures, like of al-Andulus - they seem to be failing in convincing others. And, what is more a fabrication of truth than the suggestion that the mayhem they've brought to themselves and their environment is fault of a second or third party. Aren't these societal evils equal to mayhem - barbarism, injustice, religious animosity (not merely intolerance), wide-spread corruption, absolute illegality. What we actually need to recognize is to live in the Traditional way of life, and to tap the incentives it contains in its core which promise a life of well-being and harmony for humanity in general. Nasr makes the re-statement of this idea in this way, in his 'The Heart Of islam':

"Muslims must remind themselves again of their responsibilities to God, to human beings, and to the natural world and also of their basic rights, the most important of which is the right to be God's servant and vicegerent here on earth. They must extend their hand in friendship to followers of other religions as ordered by the Quran and to live and let live with regard to those who have moved away from the world of faith altogether. they must even extend their hand to those Christian and primarily Protestant evangelists who express ignorant, hurtful, and even malicious and egregious views about Islam. Muslims must in this case turn the other cheek and prove in their actions that for them also Christ is sent by God and his words revered."

What Seyyed Hossien Nasr, world's leading Islamicist and expert on East and West, wants to say is this:

Let me free so that like the Sun I shall wear a robe of fire,
And within that fire like a Sun to adorn the world.

Rumi

Mad, Mad, Mad Writers

There are sentences of 125, 159 and 218 words. This the minimum one, of only 62 words. Can you decipher the esotericism the following sentence contains deep within its inner being? Here is a humble sample:

Notwithstanding anything hereinbefore contained no partial surrender may be effected unless both the sum payable on the partial surrender and the total after the surrender of the Participating Sum Assured and the Related Bonuses thereon and of all Further Paricipating Sums Assured and Related Bonuses thereon exceed a minimum sum which the Society shall determine at the time of partial surrender.

In the policy documents of Equitable Life,
a U.K. based insurance company.

Read Critically - But How

Here's formula, which need not be fixed in one's mind. Develop your own strategies in reading and writing. However, its imperative to learn from other's experience for you cannot become him/her (I can do leactureship me! Wrong). But what a way of reading this (following) essayist had! And the implications of practising it which follow 'like a liquid mercury on a sloping thing', to be archaic or not, shall be fertile, hopefully.

I went back to the good nature books that I had read. And I analyzed them. I wrote outlines of whole books - outlines of chapters - so that I could see their structure. And I copied down their transitional sentences or their main sentences or their closing sentences. I especially paid attention to how these writers made transitions between paragraphs and scenes.
Visit her personal website.

Matters of Elegance in Writing

Einstein wrote in his preface to Relativity: The Special and General Theory,

"In the interest of clearness .... I adhered scrupulously to the precept of that brilliant theoretical physicist, L. Boltzmann, according to whom matters of elegance ought to be left to the tailor and to the cobbler."
Translated by Robert W. Lawson

This has been the prime reason why this book is abundantly book-friendly and gives a healthy thoughtful reading to laymen. A point that ought to be taken serious by those who are in the business of educating general public, complex matters.

Another technique Einstein as a writer incorporated while writing this book on Relatively, was the 'treatment of the empirical physical foundation of Relativity theory in a "step-motherly" fashion.' He presented the ideas "in the sequence and connection in which they actually originated." This as I've observed leads the reader to a self-discovery and gives him an insight into the theory of Relativity.

What is classic?

-"A classic, according to the usual definition, is an old author canonised by admiration, and an authority in his particular style.
-The word classic was first used in this sense by the Romans.
-With them not all the citizens of the different classes were properly called classici, but only those of the chief class, those who possessed an income of a certain fixed sum.
-Those who possessed a smaller income were described by the term infra classem, below the pre-eminent class.
-The word classicus was used in a figurative sense by Aulus Gellius ((ca. 125 AD—after 180 AD), Latin author and grammarian), and applied to writers: a writer of worth and distinction, classicus assiduusque scriptor, a writer who is of account, has real property, and is not lost in the proletariate crowd."

Charles Augustin Sainte-Beuve, in his essay What is Classic?
________________________________________________________
Was a shock to me when I looked at this para, and, I said to my aspirations of becoming a sort of classical essayist, "Boy, it takes heck of a long time."! But, I think its more easy to be labeled today has a classic in terms of 'style' of writing, its easy to recognize that's why, I fancy. Do you agree?

My Love For Writing: A Few Reflections

'What do you think Umer, why writing is important in life, or is it?'

1. Since when I was asked this question by my teacher, I've never come to any conclusion - only pieces of fragments I've been able to gather at my own, which impede a great progress to me. If one person has found his place in arts, he's given time to it. But how many, you'd suppose, will be lured into the temptations of such a sublime and time-taking profession of extracting from the nothingness of space 'things' so concrete which persist so long, in this profession? A few. Historically. How many lofty and respectful poets we quote, and how many writers? Hundreds, thousands but not more than that.

1. (a). Thus, if writing were to be an integral part of life everyone should have an 'innate' capacity to learn writing, and triple the heap of printed books now we produce. But, if I consider that literature and philosophy, or simply writing is not a passion of rough minds, who insist or are condemned to remain as rough, only then the significance of writing may be properly hinted upon. Here I need to clarify by pointing to a historic trend among a spiritual class of people that those who negate writing need not be 'rough' that who cannot touch the skies. For simple reason, writing is only one type of communication among many others. We've world oral traditions, like of Persian, Red Indians and ours own, where a large part of education is given in oral medium.

2. Cultures can be differentiated on the basis of their associations with writing. We lack writing culture in Pakistan, on a larger scale. A college student at my native city studied at the most respectable institute of his city till high school level. The loneliest place he could find on the earth, he believed, was his college library, amassed with hundreds of book, some never opened! And, perceptually, I don't feel if he is an alien to me. But, if things are not like the way I see them that means the change is in the air. 

2. (a1). Americans, on the other hand, have a book-culture, my teacher has studied there for a few years and he's a witness to it. And, the difference is discernible with ease! (I do not mean to say as if it is a fault of our genes. It may be fault of generation(s).)

3. The little I think I know so far about writing I'm expressing my thoughts that are either derived or independent summarised in the following points, which I fear are far from being mature:

* Its a process not an event. Continues - our 'writing' shapes, reshapes, constructs and deconstructs.

*  The root word of book "liber' from Latin refers to the thin layer between wood and the bark, a book says. It also meant "liberty", "to deliver". Thus, traditionally the goal of a book is deliverance from the 'fetters of this world' and ignorance.

* Its a part of a bigger scheme. If I had no mind, or no innate capacity to learn language, how could I think? And, if I couldn't think, how could I write meaningful thing?

* I've found that in order to define writing and 'process' of writing, it requires a knowledge of writing and unusual 'way' of looking at it, for instance, understanding it with technicality has helped many a linguistic to use it in computers. Thereby, they're also able better to understand its strict structure.

* It is generating, expressing, labeling and creating with a structure that of a mathematical equation.

* Its material benefits are too obvious to mention.

* Its material benefits do not make writing unique. We learned writing only a few thousand years ago. And, now-a-days, benefits of other digital communications are more viable than writing by hand.

* Perhaps, the supreme reason for the uniqueness of writing lies in its quality as being a creative process of its own kind. Crystallizing intuitions is one thing, bringing feelings and abstract imaginable, or unimaginable ideas is another 'thing'. Techniques or principle of speaking do not absolutely match with those of writing.

* Writing is a physical creation of mental creation(s).

* Writings need not be logical or based on philosophical systems. A single idea may sum up in itself thousands of its inter-connected branches. We find many, many fiction and non-fiction writers who do not think from a philosopher's point of view. But, both can have a commonality in such a situation, both can think of abstract ideas as profoundly as the other one can do. For example, a writer may describe what he see is sitting on the table. And, taking those objects he can make them use in metaphorical or figurative sense. Or, relate one idea with another without any obvious connection between them (this technique is used to make brain run).

* If a 'writing' is an affirmation; it can also be a negation of an affirmation.

* Written words, not graphics, need not be spelled or spoken either by heart or tongue. We can develop enough reading skills by which understanding a writing by merely glancing at it.

* Writing puts great focus on a well-written, well-expressed problem or 'confusion'; gives body to its soul and create patterns out of it. By writing, we can negotiate and re-negotiate with ourselves on a solid ground.

* A little piece of writing can tell tales, one such broadened my scope about writing. A new class-mate of mine wrote in the class on what he previously believed, and the dramatic shift in this thinking occurred. It was very brief, in two or three sentences, but it seemed just as if a saga has been told.

* Writing and speaking share a unique feature which is the quality of saying things we know not of, which may even not exist or which cannot be imagined by our mind as 'images'.

* Saying the truth in writing is not as easy as it isn't easy while speech-making. Beauty of expression can have affect on reader's mind and that definitely includes correct structure. Fowler say that a bad structure cannot be repaired, it can only be changed from top to bottom (if the writer is to save the day).

* Writing demands deliberate recollecting of our thoughts, while it also becomes 'exploring'.

* A very effective 'way' of examining life and world that has been lived.

* What is beyond perception, cannot be written off with any assurance. For instance, if I don't know what the word 'lap-top' stands for I cannot even imagine precisely a 'lap-top'. Writing about a fact out-of-our-knowledge becomes impossible.

* I write to attain beauty.
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